REVIEW: AGAINandAGAINandAGAINand at MAMbo, Bologna

At present – not sure if you know – I am attending a curatorial course in Venice and I am constantly entering in contact with the process of organizing exhibitions that make sense. It may seem banal and obvious, but finding the right concept for an exhibition – a concept that works, that is not too … Continue reading REVIEW: AGAINandAGAINandAGAINand at MAMbo, Bologna

REVIEW: …The Illuminating Gas: Cerith Wyn Evans at Pirelli HangarBicocca

Ok, let’s be clear about this. If there is one exhibition you can’t miss this winter, that is the one we are going to talk about in this article. (I probably shouldn’t have said it straight away, no one is going to read the rest of the text now :D) Cerith Wyn Evans’ show '...The … Continue reading REVIEW: …The Illuminating Gas: Cerith Wyn Evans at Pirelli HangarBicocca

You will never forget your first Venice Biennale

November, 24: the closing day of the 58th edition of the Biennale of Venice. Organized by Ralph Rugoff, a world-wide known curator, director of the Hayward Gallery in Southbank Centre, London, it comprises the works of (only) 79 artists and 90 national participations in Giardini, Arsenale and all around the city of Venice. This is … Continue reading You will never forget your first Venice Biennale

REVIEW: Sarah Sparkes’ The GHost Parlour

This article is also available on Artlyst: https://www.artlyst.com/reviews/the-ghost-parlour-sarah-sparkes-at-new-art-projects/ The GHost Parlour, Sarah Sparkes’ solo exhibition at New Art Projects London, intimately explores the theme of ghosts and spirits, a subject which has fascinated Sparkes and been the centre of her artistic practice for many years. The exhibition comprises three sets of works: one film, numerous … Continue reading REVIEW: Sarah Sparkes’ The GHost Parlour