I am glad to say that the first exhibition that I have had the honour to step into has been Geumhyung Jeong’s Upgrade in Process at Fondazione Modena Arti Visive. Jeong boasts an impressive list of shows, having exhibited at Delfina Foundation London, Kunsthalle Basel and Tate Modern, and discovering her works so close to home has been such a pleasure. She is a South Korean choreographer and performer whose work is constantly… on the edge.
Metro and bus stops are located a few minutes away from Tate Britain in Millbank, London. For this reason, while walking towards the museum, the visitor unintentionally experiences the installation The Depth of Darkness, hearing its roaring sound effects without knowing where they come from. The nearer to the entrance, the more the visitor wonders what those blaring sounds can be, which evoke the roar of waves and cover the loud noises of the metropolis.
At present – not sure if you know – I am attending a curatorial course in Venice and I am constantly entering in contact with the process of organizing exhibitions that make sense. It may seem banal and obvious, but finding the right concept for an exhibition – a concept that works, that is not too straightforward but not even too inexplicable, that has (almost) never been explored before – is SO complicated.
If there is one exhibition you can’t miss this winter, that is the one we are going to talk about in this article. Cerith Wyn Evans’ show ‘…The Illuminatin Gas’ at Pirelli Hangar Bicocca is the biggest exhibition of the artists up to today – and this should be already enough to convince you that this show is unmissable.
The more I go visit exhibitions, the less I feel excited about traditional, ‘ordinary’ art. I probably like 20% of the paintings I see, not to mention sculptures. On the other hand, the more and more I experience non-traditional art, the more I fall in love with it. Multimedia art is going to be more and more central in the art scene in the years to come and everyone should start approaching it and talking about it. Because contemporary art focuses not just on the contemporary, but also on the future: on what technology has been achieving in the past years and what innovations it will bring in the next decades.
The GHost Parlour, Sarah Sparkes’ solo exhibition at New Art Projects London, intimately explores the theme of ghosts and spirits, a subject which has fascinated Sparkes and been the centre of her artistic practice for many years. The exhibition comprises three sets of works: one film, numerous rounded collages and prints made on wallpaper and the GHost Tunnel, one of Sparkes’ most significant installations created for FACT (Foundation for Art and Creative Technology) and here exhibited for the first time in London.