REVIEW: Aaron Scheer FINAL_007 (02) at Annka Kultys Gallery

This review is also available on Artlyst.com https://www.artlyst.com/reviews/upcoming-curators-review-exhibitions-annka-kultys-cell-project-space/

Annka Kultys gallery is a compact and clean space, the whitewashed walls a perfect backdrop for her latest showing of Aaron Scheer’s colour-popping digital paintings. Based between Berlin, Germany and Gothenburg, Sweden, ‘FINAL_007 (02)’ marks Scheer’s first solo exhibition in the UK and is on view until March 2 2019.
Scheer works with a range of digital devices, creating his works using the screens of his phone or laptop. The collection of seven works printed on paper continues his ongoing exploration of digital media, using painterly techniques to create artworks. To allow the visitors to have an understanding of his technique, the gallery included in the exhibition an insightful video created by Scheer himself, showing how he composes his digital, colour-saturated palettes by swiping and screenshotting the screen of an iPad. Through layering carefully composed monochrome images or desktop folders, sometimes manipulated using brush strokes effects on Photoshop, he creates vivid compositions with vibrant colour contrasts.

Aaron Scheer Annka Kultys Gallery
DANA X, Aaron Scheer, 2018 at Annka Kultys Gallery

On the surface, these works are pleasing just to look at because of the interplay of texture and colour, but there is a deeper meaning behind the German-born artist’s modern creations. He is interested in the relationship and cross-over between humanity and technology, with a focus on the ever-increasing connection and interdependency between man and social networks. The vivid blue of the Rothko-like painting Digital Archaeology V, or the bright green in the background of Facbook_7aec5af, both on view at the gallery, remind the viewer of apps such as Facebook and WhatsApp. Through applying a classical art compositional approach to digital mediums, he can explore the challenges of our ever increasing digital world, from perceptions of reality to big data and automated production.
As illustrated by the curator of the gallery, contact between Kultys and Scheer started a few years ago, when the German artist connected with her online. She then decided to include his artworks in the group show ‘CACOTOPIA 03’, an annual exhibition featuring the works of five recent graduates from art academies that ran from December 5, 2018, to January 19, 2019. Following the success of that exhibition, Scheer became one of the new artists represented by the gallery.
Scheer’s exhibition is contextualized in the gallery’s history, which has focused on multimedia and digital art since its opening in September 2015. Located in the borough of Hackney, in east London, it encourages artists to bring their digital artworks to the gallery and functions as a point of contact with the press and collectors. For anyone interested in the world of digital art, it is worth a visit.

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