At present – not sure if you know – I am attending a curatorial course in Venice and I am constantly entering in contact with the process of organizing exhibitions that make sense. It may seem banal and obvious, but finding the right concept for an exhibition – a concept that works, that is not too … Continue reading REVIEW: AGAINandAGAINandAGAINand at MAMbo, Bologna
Here you have our weekly meeting/gathering to discover the most important news from the leading Italian and international art newspapers! ITA: News Miart 2020 (Arteconomy, il Sole 24 Ore) L'arte contemporanea è un tesoro privato accessibile al pubblico (Arteconomy, il Sole 24 Ore) Borse di studio per giovani talenti: l'iniziativa della Fondazione Adolfo Pini (Exibart.com) … Continue reading ART NEWS – updated on 31/01/2020
Ok, let’s be clear about this. If there is one exhibition you can’t miss this winter, that is the one we are going to talk about in this article. (I probably shouldn’t have said it straight away, no one is going to read the rest of the text now :D) Cerith Wyn Evans’ show '...The … Continue reading REVIEW: …The Illuminating Gas: Cerith Wyn Evans at Pirelli HangarBicocca
November, 24: the closing day of the 58th edition of the Biennale of Venice. Organized by Ralph Rugoff, a world-wide known curator, director of the Hayward Gallery in Southbank Centre, London, it comprises the works of (only) 79 artists and 90 national participations in Giardini, Arsenale and all around the city of Venice. This is … Continue reading You will never forget your first Venice Biennale
Last Thursday I have had the pleasure to be invited to interview the Pakistani and British artist Nasser Azam, who currently has a solo-show at Saatchi Gallery, in London, called 'Saiful Malook'. The show will be open until June, 10, and explores with large-size paintings a poem from the 19th century, written by the Sufi … Continue reading Interview with the artist Nasser Azam, at Saatchi Gallery
The more I go visit exhibitions, the less I feel excited about traditional, 'ordinary' art. I probably like 20% of the paintings I see, not to mention sculptures. On the other hand, the more and more I experience non-traditional art, the more I fall in love with it. Multimedia art is going to be more … Continue reading REVIEW: Marc Lee at Annka Kultys Gallery
This article is also available on Artlyst: https://www.artlyst.com/reviews/the-ghost-parlour-sarah-sparkes-at-new-art-projects/ The GHost Parlour, Sarah Sparkes’ solo exhibition at New Art Projects London, intimately explores the theme of ghosts and spirits, a subject which has fascinated Sparkes and been the centre of her artistic practice for many years. The exhibition comprises three sets of works: one film, numerous … Continue reading REVIEW: Sarah Sparkes’ The GHost Parlour
This review is also available on Artlyst.com https://www.artlyst.com/reviews/upcoming-curators-review-exhibitions-annka-kultys-cell-project-space/ Annka Kultys gallery is a compact and clean space, the whitewashed walls a perfect backdrop for her latest showing of Aaron Scheer’s colour-popping digital paintings. Based between Berlin, Germany and Gothenburg, Sweden, ‘FINAL_007 (02)’ marks Scheer’s first solo exhibition in the UK and is on view until … Continue reading REVIEW: Aaron Scheer FINAL_007 (02) at Annka Kultys Gallery
Hi everyone, sorry if I have been this absent from the blog but the past two weeks have been crazy because of university deadlines and other projects, but from now on the situation will go back to normal! The uploads will be more consistent, and sorry again for these weeks of absence 🙂 We go … Continue reading Interview with artist and curator Sarah Sparkes at New Art Projects, London
Among the artists included in the list of the 100 most expensive artists at auctions, do you know how many of them are women? Seriously, think about it. Are you thinking? Do you have a number in your mind? Keep it there. The right answer is 2. Out of 100, only 2 of the most … Continue reading ART♀STS
